Dec-??-1996
Cinefantastique (Vol.28, No.6)
The X-Files leading genre Emmy winner
Paula Vitaris
ER may have won Outstanding Drama Series at the 1996 Emmys last September, but for genre fans, the real winner was The X-Files, which took a total of five statues when it added Outstanding Writing in a Drama Series to the four won the previous night at the Creative Arts Awards ceremony. Gulliver’s Travels tied with The X-Files for a total of five Emmys, the most awards given to any show this year. Also, The Outer Limits episode, “A Stitch in Time” won for Outstanding Guest Actress in a Drama Series, Amanda Plummer.
At the Creative Arts Award ceremony on September 7, Director of Photography John Bartley won an overdue award for Outstanding Individual Achievement in Cinematography for the episode “Grotesque”. Thierry J. Couturier and 12 colleagues at West Productions in Burbank won for Outstanding Sound Editing. Michael Williamson, also of West Productions, and 3 colleagues, won for Outstanding Sound Mixing for “Nisei”. And guest star Peter Boyle won for Outstanding Guest Actor in a Drama Series for his performance in “Clyde Bruckman’s Final Repose”. The only X-Files nominees to come away empty handed that evening were art director Graeme Murray and set decorator Shirley Inget, nominated for art direction on “Jose Chung’s From Outer Space”.
At the main ceremony on Sunday, September 8, The X-Files was up for three more awards. For the second year running, the show was nominated for Outstanding Drama Series, and Gillian Anderson received her first nomination as Outstanding Lead Actress in a Drama series.
Peter Boyle read the list of nominees for Outstanding Writing in a Drama Series and then announced the winner: Darin Morgan, writer of “Clyde Bruckman’s Final Repose”, the episode for which Boyle had received his award a mere 24 hours before. “I didn’t even hear them call my name,” said Morgan, who had never met Boyle until he joined the actor on stage for his acceptance speech. “I just heard ‘The Emmy goes to Da~’ and everyone leaped up and was screaming.” The loudest screamer was his older brother Glen Morgan, a writer and producer on The X-Files. The elder Morgan happily kidded, “Of the greatest thrills in my life, Darin’s Emmy was just a notch under Steve Garvey’s Game Four home run against the Cubs in 1984.”
The eight nominations and five wins represented a particularly sweet accomplishment for the show. Not only did it win in the creative arts categories that usually bring genre shows their only Emmys, but with the writing awards, The X-Files broke through the glass ceiling to win in a category usually reserved for mainstream fare (Rod Sterling won for The Twilight Zone in 1961.)
Darin Morgan had no expectations that “Clyde Bruckman’s Final Repose” would net him a nomination, let alone a win, although he felt certain Boyle was a shoe-in. “Most people don’t think of The X-Files as a writer’s show; they think of it as a special effects, science fiction thing. It’s looked down upon by mainstream TV in several areas,” he said. When his nomination was announced, his first thought was “Oh God, I’ve got to get a tux,” an outfit he found only slightly less constricting that the latex suit he wore when he played the Flukeman in “The Host”. But with the Emmy in hand, he admitted that he felt “good”.
The list of nominees included some surprising omissions, including lead actor, David Duchovny. “David got screwed,” Morgan stated firmly. “At least John Bartley won. He should have won last year. You look at the other shows and you go, ‘Well, it’s obvious that he should have been winning all this time.’ My only complaint is they gave an award to the writer of the episode, but they didn’t even nominate the director, David Nutter. And if he directed both the actor and the script to an award-winning status, then he should have at least gotten nominated.”
The lack of nominations for the shows directors is curious indeed. Morgan believes that Emmy voters won’t give serious consideration to a series about aliens and the paranormal, citing the Academy’s neglect of director Rob Bowman’s work on his episode ‘Jose Chung’s From Outer Space’ as an example. “That’s one of the best hours you’ll ever see on TV. But there are people who see a story with an alien and say, ‘Ob, it’s an alien thing’, and they will completely disregard the content of the episode.”
David Nutter, who directed the Emmy winning “Nisei”, as well as “Clyde Bruckman’s Final Repose”, credits the lack of nominations to the remoteness of the X-Files shooting location in Vancouver and the fact that while the show’s directors are members of the Director’s Guild of America, the assistant directors and production managers are members of the Directors Guild of Canada. “We’re further away from the real action in Los Angeles where a lot of the voting takes place,” he noted. But he was delighted with the “Nisei” and “Clyde Bruckman” wins, adding that “I feel like I got a little piece of the statue.”
Darin Morgan, who has departed the X-Files to work on feature film scripts, watched a videotape of the Emmy broadcast after he got home. To his dismay, he thought he “looked and sounded like a Peter Sellers character – a cross between Claire Quity in Lolita and Dr. Strangelove. You see something like that and you say, ‘Oh man, never again. I’m going into hiding.” The biggest thrill was watching the reaction of all our producers. They were so goddamn happy. I’ve never seen all those guys that happy over one single thing. It was great just to watch.”
Tags: darin morgan, david nutter, paula vitaris, x-files