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Mythology elements of The Real Science Behind The X-Files

Dr. Anne Simon is a researcher in virology and professor in the University of Maryland. She also has in her curriculum the no less respectable title of science advisor for The X-Files! Anne Simon got involved in the show from the very first season, 1X23: The Erlenmeyer Flask, through a family connection — her mother’s best friend is Chris Carter’s wife and writer Dori Pierson — and has remained involved to this day, even earning a writing credit on the show’s last episode to have aired to date, 10X6: My Struggle II. She is also the daughter of screenwriter Mayo Simon, who wrote several science-themed or science fiction features (Marooned, Phase IV).

In 1999, Simon wrote “Monsters, Mutants and Missing Links: The Real Science Behind The X-Files“, a book that mixed episode stories with her own scientific knowledge and participation in the making of the series. Simon’s contribution in the series as a scientist elevates this particular book above the usual “the science of…” tie-in books that get released to ride on a pop culture phenomenon’s success. The book makes for a great read for the science amateur and informed X-Files fan, it invites the reader to enter the mindset of a scientific researcher questioning everything and attempting to reconcile facts in order to come up with theories — a quintessentially x-philian activity. The X-Files, after all, tried to balance Mulder’s encyclopedic knowledge of paranormal phenomena with Scully’s no less encyclopedic knowledge of medicine and more.

The US cover

The book covers seasons 1-5 as well as Fight the Future and the first episode of the sixth season. It would be interesting for Anne Simon to do a second edition of this book, with additional chapters not only covering seasons 6-9 (and importantly, as will be seen below, the revival) but also offering an updated view on the science: medical sciences and biology in particular are very lively fields that have seen great advancements over the past 15 years. Scientific truth is an ever-expanding, ever-shifting landscape!

By her own account, Simon only helped Carter with the science of the mythology episodes, the only stand-alone exception being 5X06: Post-Modern Prometheus, also a Carter episode. The science in other X-Files episodes must have been the writers’ own work or Ten Thirteen’s in-house researcher. Thus, the book’s science can be broken down into three types:

  • The book attempts to provide a scientific background for the phenomenon seen in an X-Files investigation. These are more akin to more or less wild sessions of theorizing and of attempting to put science where scientific accuracy might not have been the writers’ concern. For example, finding a biological basis for Virgil Incanto’s need for fat matter (from 3X06: 2Shy).
  • Scully (mostly) and Mulder explicitly reference a scientific concept in an episode, and the book offers further background to that concept. If the concept made it into the script, then it’s likely that the writers used this concept as the basis for their script, or at least they were aware of it and wrote it in in order to strengthen the scientific accuracy of the script. For example, the Chupacabra fungus launches a discussion of how fungi and enzymes work (from 4X11: El Mundo Gira).
  • A third category is Simon’s own contributions, which are first-hand accounts of what research was done to give these episodes scientific verisimilitude and what were the writers’ (well, Carter’s) intentions by including some elements of the research and not others. For example, identifying alien DNA with the two extra nucleotides (from 1X23: The Erlenmeyer Flask).

Anne Simon circa 1999

Sometimes, the additional research that didn’t make it into the final script and the behind-the-scenes discussions Simon had with Carter provide interesting insights into the script-writing process and valuable information about the mythology that cannot be found elsewhere. This mythology information could be described as “secondary” canon information: although not in the episodes themselves, it is certain it was in Simon’s and Carter’s minds and intentions when the episodes were being written and this extra information does not contradict the episodes. I used this extra information for EatTheCorn’s Mytharc Primer. This will be the focus of this article.

Are all of these elements below things we were to ponder on purpose as part of the larger mysteries of the mythology, or are they fan theories extrapolated from trying to inject too much science into a scripted piece of entertainment?

Mythology elements

The DNA to create an alien is already existing in humans and the Black Oil/Purity virus switches on this junk DNA

Quote:

Chris Carter, the movie’s scriptwriter, originally wanted to connect the black oily slime and the lizard-like entity in the following way: the black slime carries a virus, which is infectious when the slime enters a person; in the warmth of a person’s body, the virus develops into the monstrous creature..
Very imaginative, yes.
Minutely possible within the framework of biology, no.
After reading the movie script in early 1997, I hoped that Chris would change his mind. Having a special place in my heart for viruses, I discussed with him why a virus couldn’t possibly develop into anything. Viruses are, after all, just a bag of genes. A bag of genes that turns into a lizard with large black eyes and long pointed nails wouldn’t fit even my expanded definition of an extraterrestrial virus. I explored with Chris an idea for tinkering with his scenario. What if the black slime virus is responsible for the development of the creature but is not the progenitor of the creature? The virus, carried into a human by the black slime, could invade a cell in the person’s body and cause the cell to lose its identity. The cell could then be enticed by the virus to enter a new developmental pathway. That cell, together with its descendent cells, would regenerate into the hideous alien monster. I was thrilled that Chris liked the changes, since I wasn’t enthusiastic about the ribbing I would have taken from my fellow virologists if viruses changed into lizard-like aliens on the big screen — with me credited as science advisor.

The concern for scientific realism here is remarkable. A virus is a simple strand of DNA, much, much shorter than the DNA of a single-celled organism let alone of a complex multi-cellular organism like humans or grey aliens. For a virus to turn a human into an alien monster, it would have to carry much more information than a simple virus; so much so that it would not be categorized as a virus at all! The solution Simon found was to have the virus just be an activator of genes that are normally inactive in humans.

It would be have been simple to ignore that and just handwave the science away and make the virus do what viruses can’t do, but Carter was more than willing to incorporate this into his script.

Victim of (a strain of) Purity

Implications: human origins

This has large implications. If the information to create an alien were already present in human DNA, how did it get there? What happens if random genetic mutations switch part of that DNA on but not all of it? Gibson Praise and the Biogenesis trilogy storylines are the results of this idea. Super-human abilities such as mind-reading are the result of select genes in the so-called junk DNA being switched on (5X20: The End, 6X01: The Beginning). The alien DNA was put there by design because we are creations of aliens (6X22: Biogenesis). It would make sense then that the Ships with inscriptions on them containing a transcript of human DNA on them would belong to that same alien race that created us (7X03: The Sixth Extinction): Purity.

Implications: Black Oil virus origin

The Black Oil virus can thus be understood as a biological tool to transform a human into an alien. Could that mean that the Black Oil virus itself is manufactured, a tool of biological warfare on humans? The Purity aliens then would, in their natural form, be humanoid greys, the end result of the Black Oil virus’s life cycle. The Black Oil virus and its derivatives (see the creation of the Supersoldiers) would just be a tool for the Purity aliens to spread.

Extending this concept further, the Black Oil virus arbiters the mixture of active human genes and active alien genes in an organism, i.e. determines how much of an alien/human hybrid that organism is. Could that mean that hybridization experiments that result in our well-known green-blooded hybrids consist in finding out which genes to switch on and off? In the study of 5X14: The Red and the Black I theorized that the green blood in Alien Bounty Hunters and Faceless Rebels would mean that this race was created by Purity using some Purity genetic material in the same way humanity was, and that the green blood in alien/human hybrids is proof of that: could it be that this race of Shapeshifters actually be the result of earlier genetic experiments on humans?

Scully is not buying that viruses can think

Implications: virus vs. sentient organism

And so Carter and Simon thus went out of their way to present the Black Oil as a virus, behaving like a real virus. In most episodes we see it, the Black Oil infects people like a normal virus and at most put them into a coma (depending on things like temperature conditions, exposure of the host to a vaccine, potential weakness of the Black Oil strain). What doesn’t jive well with this is that the Black Oil, at times, behaves as if it has sentience: once it is inside a host, at times, it makes the host behave as if he is controlled by an intelligence other than his own. A simple virus would be very far from having the complexity necessary to do this. At best it could influence the behavior of the host in a specific way, like the worms wrapped around the brain in 1X07: Ice made the host violent. Could this be anything else than artistic license?

To be fair, the only times when the Black Oil virus shows real intelligence all by itself is in 3X15: Piper Maru / 3X16: Apocrypha, when for example it drives Krycek to negotiate with the CSM in order for it to reach its UFO — and the writers might not have yet settled their minds about what this black fluid was or that the “black cancer” they introduced in 4X09: Tunguska was the same entity. The other instance is in 8X16: Vienen, where the infected try to get more people infected. Interestingly, it is only in these two instances of the Black Oil that we see the host emit a flash of radioactivity to protect and attack, as if this were a different entity altogether. In both these instances, it could be that the Black Oil merely manipulates the brain to usher the host to rejoin with more of its kind, and the host uses the resources at its disposal — the host’s intelligence, memories, capabilities — to achieve that. This would not be unlike what some real parasites do when they control the host to their own benefit, for instance by ingesting more food or by moving to a safe place for the parasite to mature (see these or this lovely example).

How the Black Oil operates inside the Alien Bounty Hunters would be a different issue entirely.

The Black Oil/Purity virus doesn’t have extra nucleotides: is it terrestrial or extra-terrestrial?

Quote:

In ‘The Beginning’, the opening episode of the sixth season, Mulder’s convinced that there is a connection between Gibson and the virus involved in activating the development of the lizard-like creature. Unfortunately, hard evidence is lacking. Gibson is gone and the creatures have vanished. Muider’s only piece of evidence is a trace amount of the virus that he believes is extraterrestrial. Mulder is crushed when Scully cannot support scientifically the alien nature of the virus. After running tests, Scully reveals that the virus, although of an unknown species, has the same four nucleotides in its DNA and the same 20 amino acids in its proteins as earthly viruses. She therefore concludes that Mulder is mistaken. The virus comes from Earth.

Here Simon just summarizes how 6X01: The Beginning unfolds, but doesn’t counter Scully’s argument. Throughout the book, the Black Oil virus is casually referred to as alien and there is no question that aliens are here to colonize. There is just this catch: the Black Oil virus doesn’t contain the two extra nucleotides that was the most convincing proof of alien biology! Simon explains in detail her idea of two extra nucleotides to the usual four found in all earthly organisms, and how Carter integrated this idea in his script for 1X23: The Erlenmeyer Flask involving alien gene therapy on humans (i.e. inserting bits of alien DNA in the DNA of living humans). Surely, this is the best evidence Scully should have to make her believe in aliens. By Fight the Future and 6X01: The Beginning, Mulder believes the Black Oil virus and the clawed creature it spawns to be alien, but Scully’s analyses do not show something out of the ordinary apart from the fact that humans share a large part of their genome with it.

Southern blot DNA test in 5X02: Redux

Does that scientific result insinuate that the Black Oil is, in fact, terrestrial in origin and the entity with extra nucleotides is the only thing that is alien? The extra nucleotides are encountered in 1X23: The Erlenmeyer Flask and 5X02: Redux (and again in 10X6: My Struggle II; and since it is inside Scully, presumably it is what the Lone Gunmen analyze in 2X08: One Breath). What this would imply for the overall mythology is unclear. The Syndicate obtained the alien fetus with the extra nucleotides DNA from a deal with the aliens (6X12: One Son), the same aliens that are identified with the Black Oil/Purity colonization effort in many instances. Are the extra nucleotides necessary only in the mature grey form of the alien but not in the virus and first “clawed alien” forms? Is the Black Oil race in fact also seeking protection from the extra nucleotides race and conducting hybridization experiments as well? Did the Black Oil race originally evolve on Earth before leaving and now returning once more?

Gibson Praise’s DNA test in 6X01: The Beginning

This raises more questions than it answers, and unless it is building up to a future revelation about multiple races I will categorize it as an oversight on behalf of Carter for now.

The Syndicate’s endgame was the depopulation of the planet

Quote:

As Kurtzweil explains to Mulder in the X-Files movie, the corn is for production; the virus is the product; and the bees are for transportation. A deadly sting that the conspirators thought would depopulate the world but instead will repopulate it with virus-induced alien life-forms.
And that’s all the buzz on bees, corn and viruses.

Although there were talks of plagues and viruses and Apocalyptic warnings, the Syndicate’s purpose as it was exposed in Fight the Future and again in 6X11: Two Fathers / 6X12: One Son and 9X19/20: The Truth was to spread the Black Oil virus and see the world be taken over by the alien colonists, with the Syndicate members themselves surviving as immune hybrids. Indeed, if the Black Oil virus didn’t do anything else but put people in a coma or kill them why term it “colonization”? Why would the aliens collaborate with the Syndicate if they didn’t get something in return? In Fight the Future the Syndicate discovers the Black Oil triggers a gestation of a “clawed” alien. Well-Manicured Man: “This isn’t Colonization, this is spontaneous repopulation!” “We believed the virus would simply control us, that mass infection would make us a slave race. Imagine our surprise when they began to gestate.” We thus discover that the aliens perceive colonization as using the human population to reproduce themselves and increase their numbers, at humanity’s expense (and extinction).

The Well-Manicured Man spills the beans (that he knows about) to Mulder

Simon’s sentence could have been a shorthand — what effectively happens whether humans become hosts to Purity for life or humans die giving birth to the clawed alien form is that humans as such decrease in numbers. The mention of “depopulation” in Simon’s text is not backed up by anything in the series’ canon and would not mean much more — right until depopulation was presented as the (a?) conspiracy’s endgame in 10X6: My Struggle II. It could be then that the conspiracy’s initial objective was depopulation and choosing who would survive. Then came along the colonist aliens who offered the conspiracy with a means to achieve this objective: a potent pathogen, the Black Oil virus. In 1973, the conspiracy became the Syndicate by agreeing to share the spoils with the aliens in a post-depopulation colonized Earth. The Syndicate might have believed that the Black Oil virus would make humans into slaves that they, as new world leaders, would control jointly with the aliens. When the Syndicate discovered the aliens’ true purpose, the agreement was off and what remained of the Syndicate returned to the original plans of depopulation we see in season 10, using the Spartan virus injected into the population before 1973 along with the smallpox vaccinations.

Scully’s cancer was not cured, it only went into remission thanks to chip

Quote:

In the summer of 1997, I discussed with Chris some cool new treatments for curing Scully’s cancer. Scully’s health was getting progressively worse, until she lay near death in the sequel to the episode ‘Redux’, called ‘Redux I’. Chris decided to have Scully ‘cured’ when a synthetic chip was placed at the base of her neck. While watching the episode, I groaned. I knew what would happen the next day when I faced the 500 rabid X-Files fans in my Introduction to Biology class. Hands flew up as soon as I entered the room. ‘How could a computer chip in the neck cure cancer, Dr Simon?’ I was asked repeatedly. When I talked to Chris later that week, he said ‘It’s not a cure! It’s only remission!’ I remain hopeful that some new neat medical technology will prevail in the end.

The Redux trilogy ended in an excellent way synthesizing the core themes of the X-Files. Scully’s cancer disappeared, and it could have been due to her prayers being answered by God, or due to the conventional treatment she underwent, or due to the chip that was put into her again, a symbol of unconventional science and perhaps of the existence of aliens.

Studying Scully’s very first implant

That it would be just a remission instead of a cure makes some pseudoscientific sense. Scully’s cancer was caused by the experiments done on her during her abduction (radiation exposure to trigger hyper-ovulation? contact with alien genetic material?). A cancer is certain cells losing their constraints and duplicating endlessly growing into an unwanted tumor. The chip put inside Scully during her abduction put shackles on these cells and stopped their spread. The removal of the chip in season 3 caused the spread to begin anew; the addition of a similar chip in season 5 stopped it. Scully only has to remove the chip and her cancer could return; or, the chip could be reprogrammed to kill her by permitting the cancer to grow. Carter’s quote above could be both an acknowledgment that the chip did not magically cure her cancer, and a tease for a potential future development — one story thread that has not yet been pulled back to the fore.

Some additional short tidbits that have their significance

Dr. Anne Carpenter

In 1X23: The Erlenmeyer Flask, Dr. Anne Carpenter’s name comes from Anne Simon’s first name and not legendary director John Carpenter, but after Anne Simon’s husband name.

Magnetite

Magnetite is mentioned extensively in the description of the (real) Mars meteorite that might have contained fossilized bacteria, which served as inspiration for 4X09: Tunguska. Magnetite is of course a widely common iron compound found on Earth and elsewhere and there is nothing particular about it, however magnetite’s importance as the aliens’ weak spot introduced in season 9 does make this research relevant. One theory would be that the presence of magnetite in the Mars meteorites is what weakened the Black Oil’s potency and allowed the research into a vaccine to proceed faster in Russia compared to other, more potent Black Oil strains, like the ones in Fight the Future and 6X01: The Beginning.

Black vermiforms

Foum Tataouine

Discussing Mars meteorites, Simon also mentions the Tatahouine meteorite, which was analyzed in the wake of the potential bacteria find in the ALH84001 meteorite from Antarctica. That meteorite fell in the Foum Tataouine/Tatahouine/Tatawin region of Tunisia in 1931. This is the same place where we find Conrad Strughold at the end of Fight the Future. It is possible the Syndicate installed GMO corn fields above findings of Black Oil, some of which might have landed on Earth with meteorites.

S.E.P.

In Scully’s and Pendrell’s analysis of smallpox vaccination tags in 4X01: Herrenvolk, the aminoacid sequence that appears onscreen is not random: it is that of the cowpox virus, as could be expected from a smallpox vaccination!

Look what Pendrell found inside Scully

The chimera organism

The chimera organism in 5X02: Redux that develops under Scully’s microscope and could be alien is actually footage of a proteus urchin!

Alien urchin

Genetically modified plants

Fight the Future and colonization in general is based on genetically modified corn that carries the DNA from the Black Oil virus, which is passed on to bees when the bees come into contact with the corn’s pollen: the transfer of genes from one organism to the other is something that is observed in nature with Agrobacterium tumefaciens, which transfers its genes into plant cells and has been used to insert specific genes and thus create genetically modified plants.

Black Oil worms

The Black Oil coalescing into worms was inspired by dictyostelium slugs. It looks like the Black Oil behaves intelligently, for example when it forms worms that “attack” a host in Fight the Future. There is however a real nature counterpart to such behavior, as odd as it seems. One could imagine the Black Oil virus organizing itself and the hydrocarbons in the oil it is bathing in order to behave like a multi-cellular organism looking to infect a host, in a broadly similar way to the ‘dicti‘ organism.

Dictyostelium discoideum life cycle

ADA enzyme & gene

There is mention of the severe immunodeficiency syndrome caused by a faulty gene producing the ADA enzyme. Years later, Simon would use that knowledge to come up with the mechanism with which the conspiracy would depopulate the planet with the ADA-removing Spartan virus, in 10X6: My Struggle II.

Southern blot

Simon is well aware that the Southern blot test conducted by Scully in 5X02: Redux was done way too quickly because the narrative of the episode demanded it, and it has become a bit of a recurring joke that she has received criticism for this. (To accelerate the test, more heat is needed, thus the mention of a “blazing hot probe”: little did she suspect that FOX censorship might take issue with that expression!) I wonder how the same people would react to 10X6: My Struggle II and its extremely quickly produced alien DNA vaccine.

Annex: Book contents

An overview of all the information in the book’s six chapters:

1: Hidden and Hungry
Episodes: The Host ; Ice; Darkness Falls; Firewalker; El Mundo Gira; F. Emasculata
Described: extremophiles; pathogens; antibiotics; hypothalamus & hormones; flukes & worms; hermaphrodites; reviving extinct species; spores; silicon-based life; fungi & enzymes; immune system; parasites & outbreaks

2: Visitors from the Void
Episodes: The Erlenmeyer Flask; Tunguska; Piper Maru; Ice; Gethsemane/Redux
Described: bacteria; microscopes; DNA, RNA & nucleotides; virus replication; Human Genome Project; ALH84001 Mars meteorite, PAHs, carbonates & magnetite; dicti slugs; Tunguska event; life in space & panspermia; ammonia-based life; chimeric organisms; Piltdown Man hoax; RFLP DNA test; mitosis & somatic development

3: Mutants and Monsters
Episodes: Post-Modern Prometheus; Home; Small Potatoes; 2Shy; Leonard Betts; Fight the Future; The End/The Beginning
Described: fruit flies; genetic engineering; DNA mutations; epidemics & mutant gene spread in human population; birth defects & genetic disorders; chromosomes, autosomes, sex chromosomes; dominant & recessive genes; extra chromosomes & chromosome inactivation; inbreeding; PCR DNA test; enzymes, proteases, lipids & digestion; regenerating limbs & repression by the immune system; cancer, proto-oncogenes, p53 gene & mutation suppression; bacteria redirecting the identity of cells & viruses activating genes; junk DNA; God module

4: Releasing the Genetic Genie
Episodes: Eve; Memento Mori; The Erlenmeyer Flask; Redux; Zero Sum; Herrenvolk; Fight the Future
Described: cloning; genetic engineering; chemotherapy & radiation treatment for cancer; gene therapy; Southern blot test; cloning & extra chromosomes; reproduction by cloning; forensic entomology; smallpox, immunization with cowpox, Smallpox Eradication Program; immunohistochemical staining & protein amino-acid sequence “tagging”; adding genes to plants & Agrobacterium tumefaciens

5: Seeking the Fountain of Youth
Episodes: Young at Heart; Dod Kalm; Roland; Synchrony; Our Town
Described: immortality & cell life ageing theory; HeLa cells; Hayflick cell division limit; human experimentation & consent forms; ‘wear and tear’ ageing theory, progeria, Werner’s syndrome, helicase enzyme; gene therapy; telomeres; cancer & telomerase enzyme; free radical ageing theory; antioxidants; male/female longevity, hormones & metabolism; cryonics; cells freezing process & ischemia; cryopreservants; vitrification; nanotechnology; brain diseases, Creutzfeldt-Jakob disease; prions; cannibalism & kuru disease; ‘mad cow’ disease

6: Fooling with Mother Nature
Episodes: War of the Coprophages; The Jersey Devil; Blood; The Pine Bluff Variant; Quagmire
Described: environmental problems; invasive species; species extinction from loss of habitat; mutations, global warming & Hsp90 protein; insect sterilization for pest control; man-made insecticides, DDT, environmental oestrogens & link to cancer; artificial chemicals & health problems; animal & human pheromones; adrenaline; biological warfare & US & USSR programs; flesh eating bacteria, Streptococcus, anthrax; terrorist groups with biological agents (Aum Shinrikyo & nerve gas sarin, domestic terrorism in 1998); amphibians extinction; Endangered Species Act; coelacanth; chytrid fungi

Social media archive: 2017 (part 5)

Archived from the Eat The Corn Facebook page.


Aug 01, 2017 16:59

“The X-Files: Cold Cases”: an article about the behind-the-scenes work on the sound effects, music and atmosphere of the audio drama production.

Audible Range: The X-Files Cold Cases: Meet the modern audio drama


Aug 03, 2017 00:06

Crispr-Cas9 used on human embryos: it is really happening! #XFilesScience My Struggle II

The Guardian: Deadly gene mutations removed from human embryos in landmark study


Aug 04, 2017 11:31

“3rd Floor Productions” is the new pseudonym for Ten Thirteen! XF season 11 shooting is starting in 4 days and fans are on the lookout!

https://www.twitter.com/melchirii/status/893234250635522049/


Aug 08, 2017 8:03

A step towards gender equality where it makes sense in XF s11: welcome to Carol Banker (1013 alumni in 1999-2002) and Holly Dale – both here to direct I guess the new writers’ episodes.

TVLine: The X-Files Season 11 Update: 2 Female Directors Join Fox Revival


Aug 08, 2017 16:47

Joe Harris interview. Interesting parts about Carter steering him away from using William as an antagonist in his comics, and on the current run of comics being cut short faster than planned. Again.

Re: 2016-2017 XF comics: “The publisher decided they wanted to give the regular publication a break and my overall idea of going 25 issues was truncated.”

Re: William: “Chris actually steered me away from using William in the ways I’d initially intended. Back at the very beginning of the planning stages, before Chris had offered to come on board and help us launch, I’d hoped to develop William into more of a long-range threat to Mulder and Scully. […] I had planned to build a big storyline around the hunt for young William Scully, who I’d envisioned as a very powerful and potentially neglected young man who resented being given away for adoption and who might have been compromised, or was even leading the effort to fuck with his mother and Fox Mulder. Chris Carter warned me away from this idea, expressly citing how personal a subject William was particularly for female X-Files fans.”

Cuarto Mundo: Exclusive interview with Joe Harris, writer of The X-Files (IDW)


Aug 08, 2017 18:09

XF setup by @[184646584899113:274:Jackorama]

https://www.facebook.com/jackoramacom/posts/1597200840310340


Aug 08, 2017 21:01

Official word from FOX #TCA: ONLY 2 mythology episodes bookending season 11?! Carter must be thinking: season 12, here we come?…

EW: The X-Files largely ditching mythology episodes next season


Aug 08, 2017 22:20

11X01 title: “My Struggle III” aka Event Series 2 Episode 201 (found on twitter)

https://twitter.com/anewdaysue/status/894999325788569600

 


Aug 09, 2017 00:26

Hear @[930414780360852:274:The X-Cast\: An X-Files Podcast]’s @[511473157:2048:Carl Sweeney] and me talk X-Files, EatTheCorn, and be impressed, but not too much, by “The X-Files: Cold Cases”!

https://www.facebook.com/xfilespod/posts/1468790759856582

https://directory.libsyn.com/episode/index/id/5622730


Aug 09, 2017 14:33

Summarizing XF s11 info on writers:

11X01: My Struggle III, mythology (Chris Carter)
11X??: stand-alone on a monster related to nature, originally was to be done during s10 (Gabe Rotter & Brad Follmer)
11X??: stand-alone (Benjamin Van Allen)
11X??: stand-alone (Glen Morgan)
11X??: stand-alone (story by Glen Morgan, teleplay by Kristen Cloke & Shannon Hamblin)
11X??: stand-alone (Karen Nielsen)
11X??: stand-alone, comedy (Darin Morgan)
11X??: stand-alone (James Wong)
11X??: stand-alone with threads of mythology (James Wong)
11X10: “My Struggle IV” (title?), mythology (Chris Carter)

Carter might co-write one of the new writers’ script, but with so many writers it does look like his main contribution will be the two mythology episodes and overall supervision.

https://xfilesnews.tumblr.com/post/163958328856


Aug 13, 2017 15:01

“The X-Files: #ColdCases” audio drama: review + ICYMI @[930414780360852:274:The X-Cast\: An X-Files Podcast] podcast discussion #istillwanttobelieve

The X-Files: Cold Cases review & podcast

 


Aug 15, 2017 00:22

More casting news: “Barbara Hershey will play Erika Price, a powerful figure who represents a mysterious organization.” How recurring can she be, with 2 mythology episodes only? More interconnectedness between episodes? Signs carter’s modus operandi is changing?

Deadline: ‘The X-Files’: Barbara Hershey Joins Season 11 Of Fox Series


Aug 17, 2017 21:21

X-Files @[114444205294473:274:Mark Snow] soundtrack for the Event Series: a review + more on “original series” Vol.4 + “More Music” requests update with material from 147 episodes (!)

X-Files music: Event Series release + more to come

 


Aug 24, 2017 12:59

X-Files Basement: The X-Cast Podcast Fan Group


Sep 11, 2017 15:15

celebrates 24 years – 1993-2017! Look at these season 1 younglings!

http://xfphotos.fredfarm.com/extras/promos/ms/ms_111.jpg


Sep 14, 2017 20:48

#TwinPeaks & fans! Listen Mark Snow and other TV music composers discuss the music of “Twin Peaks”!

Studio360: The music of ‘Twin Peaks’


Sep 18, 2017 20:23

X-Files office in cardboard miniature, by @[617473121708468:274:Damien James Webb]!

https://damienjameswebb.carbonmade.com/projects/6563637


Sep 26, 2017 10:13

#TakeAKnee

https://twitter.com/davidduchovny/status/912497003606810625


Sep 26, 2017 10:27

https://www.facebook.com/events/213979789136139/

From 30 Sep 2017, 23:00 to 1 Oct 2017, 01:00
Join us for a conversation with artists Nora Khan and Steven Warwick on occasion of their new project Fear Indexing The X-Files, recently published by Primary Information.

For their new staple-bound project, Khan and Warwick combed through the first 9 seasons of The X-Files television series—which ran from 1992 to 2002—gathering and indexing the various fears that appeared as themes throughout the show. The authors employ a documentary-style commentary to narrate how the show posited fear as an inherent quality of domestic life.

The original run of the series aired in the period nestled between the end of the Cold War and the start of the War on Terror—a time in which enemies of the state shifted, with aliens replacing Communism, and a fear of ghosts and the paranormal prefacing our current climate of Islamophobia.

Khan and Warwick take this index and link it to the rise of the World Wide Web and the global internet, which emerged in the same era. As the show developed, its characters became more adept at using the internet, as did its fans, many of whom visited chat rooms and dedicated forums to discuss episode content, speculate on theories, and come up with urban legends of their own.


Sep 27, 2017 21:22

updated for today’s age: a review of @[506008038:2048:Joe Harris]’s unsubtle but necessary comics *final* arc! “Resistance”

What will we do now without waiting for XF comics every month?

XF comics end: #14-17 review

 


Sep 29, 2017 2:05

First official image of XF s11 and of 11X01: My Struggle III is out, and…it’s spoiler territory, but it will be impossible for anyone to miss that one! Scully is in a bad spot, Mulder looks fine. Let the theorizing begin: everyone’s healed and Scully gets retribution for developing the cure? Or My Struggle II was a sort of dream/premonition/time jump, and Scully attempts to prevent these events from happening?

XF comics end: #14-17 review

Once more after his Season 11 was reduced from a two-year arc to just 8 issues because of the unexpected live revival of the series, Joe Harris has been cut short. For reasons still unclear (but likely related to cost-cutting measures on behalf of IDW and decreasing sales for the XF comics title), IDW has decided to scrap Harris’s plans for a two-year story and stop the current comics series with #17. Had Season 11 continued, it would have approximately spanned the sum of the issues Season 11 and this “ongoing” series ended up consisting in, and we would be now discussing the end of Season 11!

Despite these constraints, Harris manages to provide a compelling story in #14-17 “Resistance” and goes out with a bang. Earlier reviews at EatTheCorn: #1-9; #10-13.

THEY have taken over!

The world has changed a lot since this title started in March 2016, when Donald Trump took office as President of the USA, and his photo started dominating Skinner’s office. It is impossible to ignore it.

National Security Councils and constant news updates on imminent nuclear war with North Korea, an empty Oval Office and a President off playing golf: it has been absolutely chilling reading these nearly-prescient issues all the while these same events have been unfolding in the real world.

When a general who stands up for the corruption of democratic values says “I have advised five presidents on national security matters without any regard for party affiliation or personal viewpoints“, how one could not think of ex-FBI director Comey testifying? When a corrupt Admiral Harkin (a reference to ex-Admiral Grand Moff Tarkin?) reverses the accusation of conspiracy and turns those who would stand for democracy into traitors (“There is a conspiracy at work against this nation and its leadership, forces intent on undermining our efforts to transform this country are out there.“), how one could not think of fake news and misdirection? Skinner’s line reaches a documentary-like level of realism: “The news media hasn’t been shy with some of the colorful ways they describe the situation in Washington these days. Sometimes I think they have no idea how tame they’re still being.

The evil alien conspiracy is no longer hiding in the shadows, difficultly discovered by the efforts of valiant honest FBI agents: it is now right in our faces, it has taken power, it is the one making the decisions in public, it is in the White House! Now is not the time for The Invasion of the Body Snatchers, the times call for a more direct kind of political science fiction. Joe Harris is anti-Trump and could not be more explicit, using the medium of The X-Files in a very partisan way, something never seen before for this series and losing tons of subtlety along the way — but how could he not be given the uncommon circumstances? Firas summarizes the situation: “This Cabal is operating with a mandate only they recognize now…gods above, watch over us all.” It will be interesting to see if and how the Carter-led X-Files tackle such controversial themes next year.

The Strughold connection

It is interesting that in this context, even the enemies of old can become potential allies. The old conspiracy/Syndicate, which in this comics and continuity survives as Firas Ben-Brahim-Strughold, had less-than-honorable plans for world domination, but has found a new and powerful opponent that has taken him by storm (akin to how outsider Trump overtook both GOP and the country by surprise?). Firas operates from his base in Peters Mountain, Virginia, which must be an acquisition
of what used to be the secret government’s base in Mount Weather Complex in 9X19/20: The Truth (same exterior looks, itself shot at the Cheyenne Mountain Complex, Clorado).

In an unexpected but expertly hinted at turn of events, Firas Ben-Brahim, introduced in the Come Back Haunted arc (#6-9), is revealed to be Conrad Strughold’s son. Strughold was the leader of the Syndicate, only seen and referenced in the movie Fight the Future in 1998 and vanished since (albeit obliquely referenced by a Tunisia connection in 6X10: S.R. 819 and 7X22: Requiem). Joe Harris resurrecting that most dangling of dangling threads is a testament to the attention to continuity and constant effort at quality that he has given to the X-Files comics since the beginning over four years ago.

Firas was thus the secret child of Conrad Strughold and a Tunisian “washwoman”, illegitimately begotten in those GMO corn crop fields in Foum Tataouine (that we saw at the end of FTF); Conrad must have had a liking for his progeny as he got passage for the mother and young Firas to Europe in 1982 and could have kept an eye on Firas from afar in the same way the Cigarette-Smoking Man was following his son(-apparent) Fox Mulder. Grown up Firas has taken a liking to his role and plays with his alter ego Mulder: “We are the children of visionaries. We are the heirs to a conspiracy, agent Mulder, the likes of which the world had never seen bef[ore].” “It’s awful, I think you’d agree, that which fathers sometimes do to make men out of their sons.” This revelation and this parallel with Mulder might have been more fleshed out had Harris had more issues to develop his story.

This self-aggrandizement goes so far as for Firas to request from the Old Ones some recognition and a ‘seat in the table’ in their plans for world domination. Ultimately, Firas appears to be absorbed willingly by the Old Ones and loses his bodily shell in this transcendental process; his personality contacts Mulder psychically one last time before moving on to wherever this faction of the Old Ones went. After so much teasing throughout the first issues of this arc, the level of ambiguity of what happens at the end is a bit frustrating. Again, this is a story that could have been told more smoothly or been continued had Harris been given more issues.

In addition to their ascendance, Firas and Mulder also share a liking to agent Scully! The Firas/Scully sexual tension is explicit since the Came Back Haunted arc and is reinforced here, complete with Scully wearing a black dress similar to that she was wearing while dining with the CSM in 7X15: En Ami, with Mulder hardly hiding his jealousy, and with Scully being dismissive and focusing on “the work”. The cessation/pause in the Mulder-Scully relationship established by Carter in the live revival gave Harris the freedom and the direction to play such games, as this is similar to the ambiguity around Scully and Tad O’Malley in Carter’s My Struggle I & II; given the comics follow Carter’s lead in characterization, this shouldn’t come as a surprise, however one hopes future live and comics developments be less soap operatic.

The Old Ones’ Endgame

With these closing issues, Harris connects his new mythology back to the very first issue of this comics run. We first met the Old Ones in issue #1 Active Shooter and Mulder had a very close encounter in #6-9 Came Back Haunted. Their resemblance to the Black Oil/Purity is made explicit here: Firas tells Mulder & Scully “You’ve known about the phenomena the “Old Ones” can be more properly likened to for over twenty years now. You knew its relative as Purity — the fabled “Black Oil” — which possessed human beings in order for the alien sentience to get where, and what, it wanted.

Like the alien Supersoldiers infiltrating the highest levels of government in seasons 8-9, the Old Ones have been infecting people and getting closer to power, manipulating policy decisions to their own gain and bullying anyone that doesn’t follow their new rule. They are the allegory Harris chose for the new Trump administration.

However, there are many sides to this game as well. An Old Ones-possessed Firas tells Mulder: “There is a conflict between those, like us, who would reach the holes in the sky and those who no longer wish to return through them. They hide within your government.” Later, the Old Ones (or an ascended Firas?) tell Mulder: “For millennia Old Ones have sought to leave this place. But not all of us wish to go.” Although one of them tells Scully “We do not care for control or for power, for us there are only the holes in the sky“, its faction was vying for control within the US government. So it is all left a bit ambiguous and hazy as to what faction was attempting what — however surely both factions didn’t seem to have humanity’s best intentions in mind.

And thus, certain Old Ones manipulate events so as to reach an underwater spaceship in the Sea of Japan and leave Earth (creating a hole in the sky) — nearly creating a nuclear conflict between North Korea and the USA in the process: another example of Harris cleverly using real-world events to propose an alternative X-Files-y version of history.

Certain other Old Ones apparently have other elusive plans but that do involve a conspiracy for controlling human destinies as well: an arch-enemy for another day. Firas hoped to reveal the “bad faction” Old One’s conspiracy inside the government; he is outpaced by the power in place, in the form of Attorney General Jeff Sessions himself (!), accompanied by the two Men In Black from 3X20: José Chung’s From Outer Space (!!), there to brainwash or blackmail Skinner into obedience. The comics series leaves Skinner in his classic seasons 1-6 role of ambiguous ally. Mulder and Scully are left to collect what weak evidence they have, ever the heroes doing the never-ending good fight, and only have each other. In the same issue #17 we get both some friendly camaraderie with a punch in the shoulder and some love declarations in which only the word “love” is missing — and a forehead kiss straight from Fight the Future.


In short, what one could expect from The X-Files. The ending is nothing groundbreaking, being a return to status quo of the inescapable “golden age” of the series (around seasons 2-5), but is fitting enough: the adventures of these characters never end. It is certainly less of a conclusion compared to the resolution in the last issue of Season 11 but more of an open-ended final arc. It is a good enough ending to a 17 issues series that hit quite a few bumps in the road, and overall the stories and the fan reception for this series have been lesser than what they had been for Seasons 10 and 11. Perhaps it is due to a general loss of interest in these tie-ins ever since the 2016 live revival de-canonized the comics and made it clear that “canon” is only to be found in the live incarnation of this franchise.

And so after four exciting years, the excellent Seasons 10 and 11 and several dozens of comics issues starting in June 2013, Joe Harris’s run on The X-Files does end, though! For penciller Matthew Dow Smith and colorist Jordie Bellaire, perhaps it’s not the end yet. Apart from the young adult series “Origins” and a two-issue special “JFK Disclosure”, IDW’s plans for any more future X-Files for 2018, if any, should be revealed soon.

X-Files music: Event Series release + more to come

After their impressive multi-CD box sets with music from all Ten Thirteen shows, The X-Files in particular, soundtracks specialists La La Land Records released a set with music from the recent season 10 of The X-Files — or, as it is officially known, “The X-Files Event Series“.

lll_eventseries

The 2-CD set with music by Mark Snow was released on April 25 2017, just over a year after the series aired. Soundtracks for each season of television series have become common practice over the past ten years, so this should not come as a surprise. However, given how scarce Mark Snow XF material was until LLL started focusing on the franchise, it is some event!

2 CDs with a total running time of XXX just for 6 episodes means that this release is close to being a complete score — compare with 12 CDs for 89 episodes covered by the “original series” box sets, there’s a lot more material per episode here. Here is the track list:

[table id=4 /]

The music in the aired episodes is notoriously absent: it is there, but the audio mix has the music sound track usually turned low and the unusual amount of dialogue left very little space for the music to shine (and the episodes to breathe — one major drawback for season 10). This left me disappointed at Mark Snow, but my misgivings were wrong.

A mix of old and new

The music in this set is nothing short of excellent! Mark Snow shines by writing music that feels both modern and in continuation with his soundtrack for the ‘original series’. This is very much intentional: the series might not have been perfect but its clear intention was to try to be modern while attempting to recall the classic, early seasons of the show.

The tone of the music harkens back especially to the early seasons of the show, seasons 3-4 especially, rather than the comedic seasons 6-7 or the horns melodies-heavy seasons 8-9. There are some specific audio libraries that Snow dug up from some twenty years ago and reused them here: that very same paranoid piano melody from E.B.E. (in Founder’s Mutation: A Mother Never Forgets), those pensive horns like in Quagmire, these piano melodies on top of bass synth moods like in Little Green Men, these awe-filling choirs like in All Souls, that unsettling undulating drone like in Colony, even melancholic violins like in Millennium (in Home Again), there is plenty here that feels like home. Even the comedic cues sound like Small Potatoes or Bad Blood.

This is all mixed with the music style explored by Snow in the soundtrack for I Want To Believe: splicing his trademark synthesizer orchestral-like sound together with elements of electronic music. There is a lot of old-school Mark Snow synthesizer mixed with electronic pulsating rhythms and tempo beats here, similar to IWTB tracks A Higher Conscious or Mountain Montage/The Plow.

Six Episodes

Here is the breakdown of the set per episode:

[table id=5 /]

Mark Snow establishes a soundscape for the two My Struggle episodes, reprising some of the music of the first in the second, in particular the music for the teaser (which we might get a third time in the new season?); the sense of rising tension and world-spanning stakes as My Struggle II develops is very palpable and really is X-Files at its most blockbustery massiveness.

Founder’s Mutation alternates between action-oriented music, horror and warmer tones in the William dreams. The music for Home Again, like the episode, is an odd mix between horror music like in Home, and the warmer music of the “relationship” scenes of I Want To Believe. Home Again ending includes a soft rendering of the X-Files main theme; thankfully, Mark Snow didn’t overdo it by quoting that melody too much (unlike the show’s taglines in the dialogue!).

Very unexpectedly, even the music for Babylon was a pleasant surprise — outside of the short comedic cues of which I was never a big fan of (including a quote of Beethoven’s Letter for Elise)– what is there makes one think of a tense, dark episode. Were-Monster gets just a medley, and it is true that its music was not that memorable.

The set wraps up with Snow’s remix of the main theme, with heavy use of electronics, used in the end titles. The opening titles used the original mix of the iconic original theme.

All of this makes me look forward to Mark Snow’s score for the upcoming season.

 


 

Volume 4 and beyond

We are still waiting for Volume 4 of La La Land’s music for the original X-Files, after Volume 3 was released in 2013.

The massive list with requests for cues has been updated — music from 147 episodes!

What was covered in Volume 3 was removed, more requests were added (cues gathered at FSM or sent to EatTheCorn).

The latest news from LLL is that they are indeed considering a Volume 4 given the sales of previous volumes, however indications are that this would be the last volume. The focus is expected to be on episodes not covered in previous volumes, however requests for important cues that were skipped the first time around are so recurring that I hope LLL might reconsider.

Another idea that has been floated by LLL is that of complete episodic soundtracks: the complete score of episodes instead of episode selections, with one CD containing perhaps 2 episodes. This has been attempted before with, for instance, the episodic scores to Babylon 5; the limited edition would be fewer than the 3000 units for the Volumes releases. This approach would make sense once the “best of” Volume 4 will be out, given the amount of material out there and the dedicated fanbase of Snow’s music.

Volume 3 was an odd mix of selected cues and complete episodic soundtracks where precious time could have been saved for short cues that are considered of higher priority. Volume 3 featured a peculiar selection of music, with some excellent material from the first couple of seasons that many had asked for (Deep Throat, GenderBender, 3) but also spending comparatively a lot of CD space on episodes for which a selection would have sufficed (Small Potatoes) or that were not on anyone’s list (El Mundo Gira, Trust No 1) or giving select episodes the complete soundtrack treatment. For example Drive was covered in its entirety with 32 min (only missing: two very short cues that are actually samples of the released cues), and Field Trip and Essence were also very close to complete.

Despite these quips, LLL has been issuing high quality box sets with material that was only the stuff of dreams a few years ago, so the fact that LLL does have plans for more releases to come can only be good news!

 

The X-Files: Cold Cases review & podcast

The X-Files: Cold Cases was released on July 18 2017. It is an audio drama adaptation of the first half of the Season 10” comics of Joe Harris (2013-2014). Not an audio book reading of prose, but an audio drama, featuring a cast of actors and audio effects that make it as if it were an audio recording of a theatre play or the sound track of a movie. Like the radio dramas popular up to the 1950s-1060s (the most famous of which would be Orson Welles’ 1938 adaptation of H.G. Wells’s The War of the Worlds, which genuinely generated panic that an alien invasion was going on!). There had been a previous attempt at doing X-Files audio dramas, by Broken Sea Audio Productions in 2009-2010, however it was unofficial and did not feature anyone from the original cast.


Hear Carl Sweeney and myself discuss X-Files, EatTheCorn and Cold Cases
in (quite fittingly!) an audio format, in The X-Cast podcast: here!


Cold Cases was produced by Amazon’s Audible, adapted by Dirk Maggs (also interviewed by the X-Cast here), directed by William Dufris, and featuring David Duchovny, Gillian Anderson, Mitch Pileggi, William B. Davis, Bruce Harwood, Dean Haglund and Tom Braidwood from the original series. Chris Carter gets a “written by” credit, although we know his involvement with the comics was very minimal; Joe Harris’s involvement in this was non-existent, as Audible must have just gotten the license to exploit X-Files products directly by the owner, FOX, and not by IDW comics (with some odd results, such as Harris not being invited on-stage at the Cold Cases panel in the San Diego Comic Con).

coldcases

It totals about 4 hours in length, broken down into chapters, each being a story arc from the comics that spanned from one to five issues. Here is the story, along with the detailed series of “Lowdown” articles analyzing each issue as it was coming out here at EatTheCorn — and thus there are no spoilers for future issues in each Lowdown:

  • Episode 1: Believers (1:10:13): Lowdown #1 #2 #3 #4 #5
  • Episode 2: Hosts (00:37:55): Lowdown #6 #7
  • Episode 3: Being for the Benefit of Mr. X (00:24:56): Lowdown #8
  • Episode 4: More Musings of the Cigarette-Smoking Man (00:23:21): Lowdown #10
  • Episode 5: Pilgrims (01:27:53): Lowdown #11 #12 #13 #14 #15

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Some remarks on Cold Cases:

The story: This is a page-per-page adaptation of the comics, surprisingly very faithful to the source material. There is plenty I loved, as my Lowdowns show, and although not perfect in many aspects this is a superior continuation to the one we got in the 2016 Event Series. However, experiencing 15 months’ worth of comics issues along with the awarding re-reading sessions and analysis that came with it adapted into a condensed 4 hours is very odd; I would say the medium does not invite one to ponder the meticulous mysteries in Harris’s new mythology and explore the connections with past mythology. That being said, it is difficult to imagine how one would receive this audio drama if he/she wouldn’t have read the comics; my imagination is certainly shaped by what I saw on the printed/tablet page.

Canonicity: Cold Cases follows the post-I Want To Believe “Season 10/Season 11” comics continuity of the Joe Harris comics that started in 2013, when there was no certainty that there would be more (live) X-Files, and are thus at complete odds with the continuity established by the 2016 Event Series (itself unofficially dubbed “season 10”). There is no attempt to reconcile continuities. As pointed out by others as well, it’s unfortunate and an odd starting point for an audio adaptation, but one has to deal with it.

511GAiUI07L._SY344_BO1,204,203,200_

Differences with the comics: Some things are added in the audio that are good (better links and flow between episodes, things missing from the Event Series like FBI training for reinstatement, a particular rape scene in #13 was removed, some reordering in the scenes so as not to have much back and forth in the timeline) and some are…less good (some of the obligatory exposition, like some of the Lone Gunmen not remembering Scully had a child, more ambiguity as to who William’s father is, the CSM constantly being called “Spender” and all the Elders like Well-Manicured Man being called that in-universe, a very talky Mr. X…).

On the audio drama itself: There’s some excellent stuff here: W.B.Davis’ and Pileggi’s performances in particular are top-notch; there was extensive work on the sound design and sound effects (particularly Hosts; but the voices of all the shapeshifters and Black Oil-possessed people do sound silly); there’s even some moody background music, although you have to pump the volume up (and not using Mark Snow’s music is a missed opportunity); and although nearly all actors did their recordings separate the editing is well done. And then there’s some…less good stuff: Duchovny in particular was not into this, and Anderson is at times into it and at times not; as a result, some scenes that are supposed to have urgency fall flat (the climax to Pilgrims, for instance); and not all of the original cast is back and for substantial roles (Krycek, X, Deep Throat) this takes you out of the story.

XFiles_s10_v3-mini

Overall: It’s an interesting product, but one can’t shake the feeling that it’s a marketing product, a tie-in to a tie-in merchandise. The choice to adapt these comics in particular with very little changes is odd, though. There was no attempt to reconcile these comics with the live series continuity; there was no attempt to rewrite parts of it so that the Season 10+11 story would be a more cohesive whole (given that the Season 11 comics were cut short and several threads were left hanging, e.g. Krycek and the Acolytes); there was no attempt to flesh out the scenes between Mulder and Scully and give more material to Anderson and Duchovny given this unique opportunity (Joe Harris is a big, big fan of the mythology characters and of Mulder but his scenes where Mulder and Scully interacted were lacking in depth and feeling).

10X15_syndicate

Next: Cold Cases will continue with Stolen Lives, to be released on October 3 2017, which will cover the second half of Harris’s Season 10 (#16-25 and also #9: Chitter, which was skipped in Cold Cases). The recordings for both halves were done together around Autumn 2016, however Audible is releasing these separately. In order to wrap up the story, they would have to go back to recording and adapt the Season 11 comics, which ends the story in a satisfactory way. Given that Cold Cases became an Audible best seller in the first days of its release (!), that might just happen!

Social media archive: 2017 (part 4)

Archived from the Eat The Corn Facebook page.


Jul 06, 2017 23:33

Tough times for the Martian Black Oil!…

The Guardian: Mars covered in toxic chemicals that can wipe out living organisms, tests reveal


Jul 11, 2017 12:28

The man-made Sixth Extinction is really happening right now!
– Nearly one-third of the 27,600 land-based mammal, bird, amphibian and reptile species studied are shrinking in terms of their numbers and territorial range. The researchers called that an “extremely high degree of population decay.”
– “we’ve wiped out 50% of the Earth’s wildlife in the last 40 years”
– “if we kept up with that pace, there would be no more wild elephants in Africa in 20 years.”

CNN: Sixth mass extinction: The era of ‘biological annihilation’


Jul 11, 2017 17:04

“X-Files: Cold Cases” the audio drama version of the Season 10 comics are coming out in one week! Another audio extract (adapted from the comics issue 11), DD & GA photos on the recording studio + a panel announced for San Diego Comic Con (the only XF-related event at SDCC, as s11 won’t have started shooting yet).

EW: Hear Mulder and Scully Go on a ‘Foreign Assignment’ in ‘X-Files: Cold Cases’


Jul 13, 2017 15:52

: #ColdCases audio drama launch yesterday, underground under Audible.co.uk’s offices, with Dirk Maggs (producer) and Nick Pope (“UK’s Mulder” UFO investigator) and an immersive audiovisual experience!
“The truth is out there, you just have to listen…” #IStillWantToBelieve


Jul 13, 2017 18:26

What XF comics after Joe Harris finishes his run in August?
“JFK Disclosure”! On the JFK assassination, a 2-parter written by IDW editor Denton J. Tipton, for October-November. Looks CSM and Bill Mulder -heavy. Also, “Origins” comics are continuing. So, IDW will be doing these specials from now on, with no connective tissue between them?

io9: The Next X-Files Comic Is Tackling JFK’s Assassination


Jul 14, 2017 16:58

@[1125066530909911:274:The X-Files\: The Video Game Project] is brewing!…

https://www.facebook.com/thexfiles.videogame/posts/1402241143192447


Jul 17, 2017 10:49

RIP George Romero AND Martin Landau! Romero was a master of horror and a big inspiration to the genre after his 1968 cult film Night of the Living Dead. He nearly directed a zombie-themed X-Files episode in season 7, what I guess ultimately became the episode Millennium. Landau portrayed Kurtzweil in the Fight the Future movie, among other things (Space 1999, Ed Wood)…

The Guardian: George A Romero, Night of the Living Dead director, dies aged 77


Jul 18, 2017 19:44

“Cold Cases”, the audio drama adaptation of the earlier “Season 10” comics, is out today by Audible! David Duchovny had high praise for writer @[136034229760285:274:Joe Harris (filmmaker)]: “I was impressed by the writing and the grasp of the character. […] they had a really good grasp of the character and of the kinds of stories, of the humor ”

EW: David Duchovny on how The X-Files: Cold Cases ’embraced the humor’ of the show


Jul 20, 2017 10:29

Mitch “Big Bald Man” Pileggi officially confirmed for season 11 – no surprise here, next will be WBDavis, but I do hope he’ll get more scenes than what he got in s10. With shooting starting in barely over two weeks, casting news should start accelerating now.

Deadline: ‘The X-Files’: Mitch Pileggi Set To Return For Season 11 Of Fox Series


Jul 20, 2017 12:00

s11: Duchovny explains he’d rather give fans more Mulder than spend time behind the camera on writing and directing. That’s considerate! He seems interested though, maybe by season 12 he will have fleshed out an idea.

EW: David Duchovny explains why he won’t be writing for The X-Files season 11


Jul 23, 2017 3:14

The X-Files: Stolen Lives” will be the sequel to the audio drama “Cold Cases”, out Oct-03! Covers the rest of Joe Harris’ Season 10 comics, including the stand-alone Chitter and a return of Frank Black!

Audible.com: The X-Files: Stolen Lives


Jul 26, 2017 12:51

Duchovny on “Cold Cases” and the upcoming season 11. “Chris seems to be happy with the arch or the central idea they’ve chosen for this season to play around in.”: so there *is* a central idea? Truth and lies? The season 10 retcon of the mythology was a “fake news” coverup?

IGN: Comic-Con 2017: David Duchovny on Exploring The X-Files in a Different Form in the New Audio Drama


Jul 28, 2017 13:17

A “Cold Cases” review.

“It is unclear as to why Audible and/or Dirk Maggs, in seeking to create some X-Files audio adventures, selected The X-Files: Season 10 as the source material rather than doing original material in the Revival continuity.”
“The script itself was approved by Chris Carter who led a new run of X-Files TV episodes that dismiss and ignore the Cold Cases content entirely and Maggs has made no revisions to the audio version to sync with the TV show it claims to lead into.” “Cold Cases is (eventually) convincing as an X-Files audio drama and Maggs proves correct in his assertion: at no point was I troubled by the Revival being at odds with Cold Cases. Joe Harris’ strong storytelling skills remain superb in this new format and the events and action are engaging and exciting.”

https://ireactions.tumblr.com/post/163420193881/audioplay-review-the-x-files-cold-cases