X-Files mythology, TenThirteen Interviews Database, and more

Archive for February, 2024

Carter art exhibition

In a limited Los Angeles exhibition entirely dedicated to his artwork, Chris Carter mentioned the possibility of a The X-Files reboot that is rumoured to be at early planning stages.

Will you be part of “The X-Files” reboot? “I wouldn’t. Only as a cheerleader. They don’t need my blessing. 20th Century Fox and Disney owns the show. They are free to do with it what they believe. I’m honored that they came to me and asked me, not for my permission, but my blessing.”

You’ve spoken to Coogler about it? “I’m not supposed to be talking about it, according to Disney. But I’ll tell you, yes. I’ve had a conversation with him. Yes, he likes to go with a diverse cast. And he’s got some good ideas.”

But you’re not interested in doing another revival of “The X-Files” yourself? “Oh, if David [Duchovny] and Gillian [Anderson] wanted to do it again. Yeah, probably, then I would be inspired.”

What this tells me is that the ‘reboot’ would be an in-universe continuation of the story with a new cast and new characters, not a recast of the Mulder and Scully characters. This would leave space for DD & GA to make guest appearances in that spin-off, and leave Carter the possibility to work again with DD & GA in a third revival. If any of that ever happens. Interesting that presently Carter only gives his “blessing”, not permission — it used to be that he seemed to be in control of anything with the TXF name on it. Still no official word from Disney on this, so all of this is in the very early stages, and might not materialize at all.

Also, he’s also working in script writing: “I’m working on two different things that I’m very excited about, so maybe some projects will appear. I’m working on one with my wife, which is really exciting. We only worked together once. We haven’t worked together since the mid-1980s when we wrote and produced a Disney Sunday movie together.” I hope this works out!

What else? There is a small TXF-related exhibit, with in particular the original casting sheets for Mulder and Scully dated February 22 and March 5 1993, where one can see who else auditioned for the roles! (Claudia Christian! After Babylon 5 “The Gathering” and before season 1!) Next to DD, Carter has written “Yes” and next to GA, “Test”.

And in the video promoting the event, there is a board with cards similar to the ones used to break down the story for an episode, but it’s none of the Ten Thirteen shows produced until now (including The After). There are characters called Althea, Cassandra, Rafe, Annette, Shin… Could this be the project he’s working on with his wife? A cancelled project?

Of course, TXF is what everybody wants to hear about. But the main attraction here is Carter’s art. He did a lot of pottery in the past, but the pieces here are of a different kind. There’s a lot of mixed media large-format pieces with prominent text. I really like the typewriter piece (which incorporates visual elements from TXF). The rest is more abstract. He mentions: “I can tell you [my] two main influences. And when you look at some of the pieces, you’ll see the connection. Ed Rucha and Jenny Holzer. And I have to say to some extent, Barbara Kruger.” If you look up these artists, you can definitely tell.

Exhibition at Legacy West Media, runs Feb 24 to Mar 10

Interviews quoted above: The Wrap / Gold Derby + YouTube / LAist

+ Fangoria / Awards Watch

Scully’s 60th birthday

Happy birthday to Dana Katherine Scully, born on February 23, 1964! She has reached the round and respectable age of 60. By now she must have retired from the FBI, after becoming FBI Director! Incredible that her abduction back in season 2 was 30 years ago, which is now just at the mid-point in her life…

Interview: Corey Kaplan

A rare interview with Corey Kaplan thanks to The X-Files Preservation Collection / The X-Files Museum! She was The X-Files’ production designer for the Los Angeles years (s6-9), an important member of the production team. I liked what she had to say about how productions today differs from how it was in the past. Some highlights:

It’s all about collaboration. With the dark look of the show, she had to work a lot with the Director of Photography Bill Roe. Unlike most production designers who are usually architects, her background was in art and photography. She lived the transition from shooting with film to shooting with high-definition digital cameras. With those, everything is very vivid, you see too much into the shadows. Between that and the overload of digital special effects, everything looks cartoonish now (like the Marvel shows).

Before TXF, she was doing art films and low budget horror comedy films, so she had some experience in filmmaking. When she got interviewed for TXF, she was doing a skateboard movie (“Brink!”), she brought the skateboard with her, and Carter’s office was filled with surfboards! Carter and company were all wearing casual clothes, sitting on the floor, eating snacks, they matched immediately. Kim Manners was the first person she met. Often mentions working with Bernadette (Bernie) Caulfield (s6-7 producer).

It was a tough job, 7 days a week for 4 years. Many relationships did not survive, including hers.

“The Beginning”: she remembers the script had Gibson swim in the nuclear reactor, shed his skin and become an alien [probably misremembers]. The metal armature of the nuclear power plant that they built for this first episode was huge, it was re-used throughout the 4 seasons (as Mulder’s basement [?], containment centre, control centre [possibly Mount Weather in “The Truth”?], …)

Carter asked her “what’s your dream job?”, she liked a mansion in Lake O(?), Carter wrote “How the Ghosts Stole Christmas” around that, and they had to build that set in 8 days!

She had to cut short her Thanksgiving holidays after reading the script for “Agua Mala” and going back to work to build the sets for flooding.

Also mentions the cow coming through the roof in “The Rain King”, the Hopi ruins in “The Truth”.

She felt included and heard, unlike in modern shows, the art department was contributing actively, not executing orders. In production meetings with the 18 heads of department the assistant director would start with her. “Chris [Carter] writes for what you give him”, he’d tell them to scout LA and find interesting things to use in scripts. She remembers Kim Manners preparing and planning the day’s shots in detail, it’s not done that way anymore.

TXF / Zerocalcare

The X-Files reference in the wild! This is from Zerocalcare: “Ce vojo crede” in good Roman — meaning “voglio crederci” everywhere else in Italy. Both his animated series in Netflix I highly recommend! (Strappare lungo i bordi, Questo mondo non mi renderà cattivo) #romaantifascista

David Nutter awarded

From yesterday’s Directors Guild of America (DGA) Awards, where David Nutter got a lifetime achievement award! And a part of his speech, where he talks about directing with Parkinson’s. Also present were David Duchovny and Nikolaj Coster-Waldau (Game of Thrones) but also Rob McLachlan (Millennium cinematographer), Chris Carter, Jim Wong, Glen Morgan & Kristen Cloke.

Nutter directed *loads* of things. For us, he directed among Ten Thirteen’s best hours:

In TXF s1-3: Ice – Beyond the Sea – Lazarus – Shapes – Tooms – Roland – Little Green Men – Blood – 3 – Firewalker – Irresistible – Clyde Bruckman’s Final Repose – 2Shy – Nisei – Revelations

In Millennium s1: Pilot – Gehenna – 522666 – Loin Like a Hunting Flame

 

Interview: David Nutter

An interview with director David Nutter – who will be given a lifetime achievement award by the Directors Guild of America soon – along with some tough and sad personal news Parkinson’s, wife passed away). Some The X-Files-related bits:

What’s the best pilot you ever made?

[…] I also loved Fox’s Millennium pilot with Chris Carter.

You directed 15 episodes of The X-Files. Which are you most proud of?

“Clyde Bruckman’s Final Repose.” That was a funny episode.

What’s an episode you improved the most from what you were given on the page?

Another X-Files episode. The first one I directed, “Ice” [season one, episode eight].

“Ice” was the first one that hooked me as a viewer, it had a lot of atmosphere to it.

[Creator] Chris Carter said it was the first “real” episode of the show and that he wanted to model the rest of the series after it.

Now there’s [Game of Thrones] spin-off ideas in the works. Would you ever want to direct on those?

No. It’s like when Warners president Peter Roth wanted me to direct Fringe and I was like, “This is a copy of X-Files.” It would be difficult to do something in that world unless the same people were involved.

https://www.hollywoodreporter.com/tv/tv-features/david-nutter-best-worst-episodes-thrones-sopranos-interview-1235817291/